The recurring theme in horror movies of newly-arrived tenants being haunted by former tenants and vengeful spirits may be seen as a metaphor for gentrification, writes Sam Miller.
"[T]he process of gentrification -- the shifting demographics, the clash of old and new tenants, and the monstrous machinations of landlords bent on pushing out rent-controlled tenants -- [is a] nightmare so pervasive it would surely rate broader attention if it wasn't a "normal" consequence of capitalism.
[In many horror movies] rich city folks move out into the country and find themselves up against nasty poor locals and ghost[s]. The more I thought about this recurrent motif, the more I realized: the modern haunted house film is fundamentally about gentrification. Again and again we see fictional families move into spaces from which others have been violently displaced, and the new arrivals suffer for that violence even if they themselves have done nothing wrong.
This thriving subgenre depends upon the audience believing, on some level, that what "we" have was attained by violence, and the fear that it will be taken by violence. In the process, because mainstream audiences are seen as white, and because gentrification predominantly impacts communities of color, the racial Other becomes literally monstrous.
Displacement creates a paradox: We acknowledge the wrong that has been done but feel powerless to do anything about it. A sort of collective guilt springs up, a sense that we are insignificant cogs in the machinery of economic and social factors that create gentrification. This is particularly true for the middle class, who are often forced by economic necessity to move to gentrifying neighborhoods or to new suburban developments that have demolished pre-existing space.
Gentrification is itself something of a ghost -- trivialized by the mainstream media, ignored by government, distorted in academia as "impossible to quantify," or obfuscated by policymakers -- as in a report from the Brookings Institution that somehow wonders Does Gentrification Harm the Poor? Because the "audience" for gentrification is always the poor, people of color, immigrants, working class seniors, and combinations of the above, the realities of gentrification are usually "invisible" to those who shape the public's understanding of the issues."
FULL STORY: Haunted House Films Are Really About the Nightmares of Gentrification

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Analysis: Cybertruck Fatality Rate Far Exceeds That of Ford Pinto
The Tesla Cybertruck was recalled seven times last year.

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